Two weeks ago the neighborhood (read as: downscale) Harding's had a sale on pork tenderloin: only $2 per pound. I got us a lovely 3-lb roast and stuck it in the freezer. Yesterday, I got bit by the cooking bug and pulled it out to thaw when I was home for lunch. After work (my first night out on time in the last three weeks) I browned the roast in the dutch oven with some olive oil, made slits in the top of the roast and stuffed in an entire bulb of sliced garlic, added a cup of white wine, a cup of fresh apple cider, and a cup of water, then added thyme, bay leaves, six quartered tart apples and a small chopped onion. I covered it and let it simmer in the oven for ninety minutes, and added a pie plate full of oiled yukon gold potatoes next to it. After it was done, I took the roast out and sliced it while I reduced the gravy a bit. Roasted potatoes, sliced garlic tenderloin, savory apples (my buddy Trevor calls them "carnal apples," and that's exactly what they were), some leftover summer squash, and tart apple gravy over everything.
Oh, man. It was soooo good. For my first time making a pork roast, it was amazing.
And then we watched Porco Rosso while we ate, to make it perfect.
And then I looked over and discovered that Paul had put DELI MUSTARD ON HIS TENDERLOIN.
My genius is wasted here, I tell you.
Planted more bulbs tonight. Cyclamen and bluebells in the shady backyard, amongst the hosta separations I got from Ms. Cooper a few weeks ago. Red and orange tulips in the front shade garden to compliment the yellow daffs. Purple-and-white tulips wedged in after three separate tries -- I hit bulbs with each shovel strike, so I guess this is my last year for more tulips! Six swoony stargazers for the ends of the driveway.
Gonna be another pretty spring.
Over the last couple of weeks, Paul created a series of video podcast interviews with Mike Pfeiffer at Most People Are DJs. The first one is here and the second is here. If you've ever wondered where Paul gets his inspiration, this is a great place to start.
Check 'em out!
Jim Ottaviani and Sean Bieri are collaborating on a new webcomic for Tor.com, just in time for Hallowe'en: Quantum Zombies, Inc. You really must check it out now, before it reanimates and comes after your braaaaaaaaains.
Woo! Great time at SPX. The ending was made better by a double return to Zingerman's Roadhouse, which redeemed itself by serving us some really great (albeit still heinously overpriced, IMHO) soup and sandwiches. We stopped there both coming and going because heading into downtown at noon was too daunting, and it had parking. Everything we ate was delicious, so I guess if you stick to their fundamentals, and aren't afraid to pay $20 for lunch, ZR is still a good place to eat.
This year's SPX was a total blast. I was really overwhelmed by the quality of the comics I bought during the show -- it seemed like everybody had brought out their absolute best. Many of the faces I saw were entirely new to me, which was wonderful. It was great to se so many new entries into the field, and I blew more money this year on new comics (mostly minis) than I have the last two years put together.
We were also blessed to run into old friends aplenty, including Jay Hosler, whose new book, Optical Allusions, a gradeschool-level explanation of how eyes work, is gorgeous, and I can't wait to sit down with it. We also ran into Whiteout and Road to Perdition artist Steve Leiber and his crazy-talented wife Sara Ryan, who just got BoingBoinged! Go, Sara!
Paul and I were lucky enough to stay with Carla Speed McNeil and fellow traveller Jim Ottaviani (who has an awesome new webcomic with Sean Bieri at Tor.com as well as three beautiful new books coming out soon, so you should totally keep an eye on his site). We arrived late to the Ignatz awards, and couldn't even wedge ourselves into the aisles, so instead we sat in the lobby and hung out for a while with Jen Hachigian, Denise Sudell, Pam Bliss, Dan and Katie Merritt, Rich Watson, and some of the folks from Portland's Periscope Studios: Jonathan Case, his wife Sarah and Susan Tardif. I was bummed about missing the awards, which rewarded my spontaneous decision to purchase Swallow Me Whole. Congrats, Nate!
The reception was great, complete with a return of Karon's chocolate fountain. I didn't photograph too many fellow creators, unlike last year, but here are a few:
The real surprise of the show came from a prop I brought to help attract attention to my clockwork jewelry: a pair of steampunked goggles. I won them on ebay and then almost ruined them trying to mod them up; I finally cannibalized some light fixtures I found in the basement and got them done just in time for the show. They were a huge success, and helped me sell out my entire stock of Clockwork Game minis, and all but four pieces of jewelry. Everybody wanted to try them on, so after about the third person, I started taking pictures.
Overall, this is the best show I've had in a long time. I ran into a whole bunch of other folks, too numerous to mention, but here's a stab at it:
I had a great time meeting old and new fans, passing out Clockwork Game cards, trading minis, and discovering new artists and comics. I've got a ton of new minis and graphic novels, and I'm really looking forward to a pair of long lazy mornings this weekend. Yay for SPX!